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Mycelium Ex Machina (Chernobyl)
#2
The dog was not right.

It limped through the dormant grass like a marionette whose strings had been cut and knotted again wrong. Tufts of fur clung to its body in patchy bursts, as if molded onto raw clay. Its eyes, one blue, one too dark to be anything but diseased, watched Nazariy from a distance, unblinking, unafraid. Its pathetic nature somehow endearing.

It had found the half-empty tin of sardines he'd left beside the old turnstile gate near the amusement park, the one twisted into a rusted smile of forgotten joy. He hadn't meant to bait anything. It was just habit. A leftover instinct from another life.

He crouched behind the husk of an overturned bus and held his breath, watching the thing eat. No... not eat. Devour. It wasn't hunger: it was panic, like the meat might vanish back into nightmare if it didn’t get it down fast enough.

A sound rose in Nazariy’s throat.

It wasn’t a growl, not quite. But the air seemed to pull away from it, the way smoke pulls from a too-hot fire. The dog stopped. Sniffed. Turned its head.

That was when he saw it clearly.

The veins beneath its skin pulsed with something wrong. Not blood. Not natural. More like threads of shadow; moving against the flow of life. The creature froze, and for a moment, Nazariy thought they might understand each other. Both freaks in a place the world had buried.

Then he took a step forward.

The dog bolted.

It ran with that awful, lopsided gait. Bones clicking, jaw slack, meat falling in ribbons from its side like it was already halfway to corpsehood. Nazariy didn’t chase it. But he wanted to. And that scared him.

He stood there a long time after the dog had gone, hands balled in his coat pockets, staring at the place where it had been.
He could’ve fed it again. Tried to tame it. Named it something soft.

But he knew how that story would end.

He would touch it too much. Try to keep it close. And one day it would look at him with eyes that said I trust you—and he’d reach for it, and something inside him would twist, and the dog would gasp its last breath. It always did.



+++



It was dusk when he found the paints.


They were in a child’s backpack beneath the skeleton of a crib, in the shadow of an apartment tower cracked down the middle like a broken spine. Most of the tubes were dried, but a few still oozed dull color when squeezed.

He sat on the floor and tested them on the concrete. Red. Blue. Yellow. White. Enough.

The rocks came next.

Pripyat had plenty. Rubble, really. Shards of buildings, teeth of the earth pushed up through sidewalks. But some were smooth, water-worn from the flooded basement of a building that still had party banners hanging in the lobby.

Nazariy carried them in his coat like contraband. He selected each with care: one shaped vaguely like a cat’s head, another that felt warm when he held it too long. One that looked like a curled-up animal, sleeping.

He didn’t know why he did it, not at first. Not until he painted the first one.

A crooked smile. Two uneven eyes. Pink ears. It looked nothing like the dog. Or the cat he'd seen weeks before—a long, low thing with too many toes and a stub tail. But the rock was safe. Harmless. It would never rot in his hands. Never mewl or bite or beg.

He named it Pushka. Set it on the table of the apartment he’d chosen to live in. Fourth floor, room with an east-facing window, where the sunrise cracked the hilly horizon in radioactive gold.

The next rock was green with black spots. He called it Sasha. The third was grey and speckled—Babushka Irina, though he felt a little guilty naming it after her.

By the end of the week, he had twelve.

He arranged them in a circle on the floor. Sometimes he spoke to them in low tones. Not childish babble, but serious words. Updates. Questions. Apologies.

He wasn't lonely.

He was alone, which was different.

Loneliness begged for something to fill it. Aloneness simply was. Like fog. Like death.

But sometimes, when he woke in the middle of the night and the wind outside sounded like it was trying to remember his name, he reached out and touched the rocks. Just to be sure they were still there. That they hadn’t wandered off like the animals always did.

That he hadn’t killed them by mistake.

They were safe.

Safe from him.



+++



He never painted eyes that matched.

That was important.

Because things with matching eyes could see you.

And if they saw you, they might know what you were.

And if they knew…

Well.

He was still deciding whether that mattered.
Nazik   Nergal
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Messages In This Thread
Mycelium Ex Machina (Chernobyl) - by Kaelan - 04-12-2025, 08:40 PM
RE: Mycelium Ex Machina (Chernobyl) - by Nazariy Moroz - 04-16-2025, 01:33 AM

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